Plot

Chapter 3 - The Shadow of Uncle Sal

The twin black Cadillacs hung two car lengths back, their tinted windshields reflecting the flashing red and green neon signs of Chicago's downtown corridor.

Tommy, don't lose them yet, Gabe instructed, leaning back into the upholstery with an unsettling stillness. Let them think they're cornering us into the industrial district. Nora, cover your ears.

The little girl didn’t cover her ears. Instead, she reached into her pocket, pulled out the three crumpled dollar bills Gabe had tried to overpay her with, and pressed them into Arthur's palm. Don't worry, Grandpa. I'm right here.

Gabe studied the child. In his world, grown men with loaded automatics regularly wet themselves under half this pressure. Yet here sat a girl who had known nothing but freezing doorways and empty bellies, steady as iron.

Tommy veered hard onto the ramp leading down toward Lower Wacker Drive. The subterranean roadway was a maze of concrete pillars, yellow sodium vapor lights, and screeching echoes. The pursuit instantly intensified; the lead Cadillac accelerated, attempting to pull alongside the town car to pin it against the barrier wall.

Arthur panicked, clutching his chest. Oh God, they know. Sal knows I spoke to you!

He knows nothing yet, Gabe replied, reaching beneath the passenger console and pulling out a heavy, suppressed semi-automatic pistol. He chambered a round with a smooth, metallic click that echoed inside the cabin. He only knows that an old bum broke protocol, and that I canceled dinner. To a paranoid traitor, curiosity is a poison that demands blood.

Tommy took the corner onto Columbus at forty miles an hour, tires smoking against the asphalt. He tapped the brakes, causing the following SUV to miscalculate the gap and scrape violently against an iron support column, throwing sparks into the gloom.

Now, Boss? Tommy grunted.

Hit the freight ramp at warehouse nine, Gabe ordered.

The town car shot up a narrow service ramp into an abandoned meatpacking warehouse Gabe kept off the family books. As soon as the car crossed the threshold, Tommy hit the dashboard transponder. A heavy steel roll-up door slammed down behind them, cutting off the headlights of the second pursuer with a thunderous bang.

Inside, the warehouse was cavernous, lit only by the amber glow of high-bay lamps. Three armed men in dark tactical gear stepped out from the shadows, lowering their weapons the moment they recognized Gabe's silhouette.

Boss, Marcus greeted, stepping forward. He was Gabe's head of security—a former military contractor who answered only to Gabe, not the family council. We got the alarm. What's the play?

Get this child and her grandfather into the upper office, Gabe commanded, stepping out into the cold warehouse air. Get hot broth into them, blankets, and call Dr. Levin to check the man's lungs. Arthur, where is the clock now?

Arthur stepped out slowly, leaning heavily on Gabe’s outstretched arm. When they burned my shop, they didn't search the coal chute. I wrapped the mechanism in oiled canvas and hid it inside the wall cavity of Saint Jude's rectory on 18th Street. Father Thomas was Enzo’s friend. He let me stash it behind the organ pipes. It’s still there. If Sal hasn't found it, it's because he thinks it was lost in the fire.

Why would my father hide a clock, Arthur? What was inside?

Arthur looked into Gabe's eyes, his expression solemn and haunted. Enzo knew Sal was cutting deals with the cartel behind the commission's back. He knew Sal was planning a purge. Inside that clock isn't money, son. It's Enzo's private ledger, signed deeds to the family estates, and the original wire recordings of Sal Ferraro conspiring with the men who put your mother in her grave.

Gabe felt the floor drop out beneath his feet. His mother hadn't died of an accidental gas leak in Tuscany. The grief that had driven his teenage years into a hardened shell was built on a foundation of orchestrated lies.

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He turned toward Tommy and Marcus.

Bring me my father’s overcoat, Gabe said, his voice devoid of all warmth. We’re going to church.

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