Plot

Chapter 5 - Eviction Notice

The drive to my childhood home took forty-five minutes. The late afternoon sun was slanting through the pine trees, painting the highway in shades of burnt orange and long, ominous shadows. Dad drove his truck ahead of us, with Mark in the passenger seat. Theo drove our crossover, keeping his right hand locked over mine on the center console.

When we pulled into the gravel driveway of the two-story colonial house, my mother’s sedan was parked crookedly across the front lawn, one wheel crushed into the rosebushes.

The front door was wide open.

Dad didn't wait. He bounded up the porch steps with Theo and Mark close behind, and I followed, my hand resting protectively over my belly.

Inside, the house was in chaos. Closets had been ransacked. The antique mahogany china cabinet in the dining room—the one Nana June had given Dad on their wedding day—had its glass door shattered. Shards of crystal covered the hardwood floor.

Upstairs, drawers were slamming.

""Evelyn!"" Dad shouted from the foyer, his voice echoing off the high ceilings.

The stomping stopped. A moment later, Mom appeared at the top of the stairs. She had changed into a pair of slacks and a trench coat. Her makeup was smeared across her cheeks like greasepaint, and she was dragging a heavy leather suitcase behind her. Under her other arm, she clutched a metal lockbox—the one where Dad kept his savings bonds and the deed to the property.

""Get out of my way, Richard,"" she spat, her voice raspy and harsh. ""I’m going to a hotel. You can have your precious little redheaded monster and her bastard child. When the police hear what you people did to me at that party—how you humiliated me in front of my peers—I’ll take half of everything you own!""

""Drop the lockbox, Evelyn,"" Dad said. He didn't yell. He didn't flinch. He just stood at the bottom of the staircase like an oak tree that had weathered its last storm.

""It’s mine!"" she shrieked. ""I gave you thirty-two years of my life! I raised those ungrateful girls! I sacrificed my youth, and what do I get? An old woman’s spiteful legacy shoved down my throat!""

""The money in that box belongs to Richard's retirement, and the deed is in his name alone,"" Theo said, stepping up to the third step of the stairs. His physical presence alone was enough to make her stop in her tracks. ""Set it down on the landing, Mrs. Vance. Now.""

Mom looked at Theo, then at Mark, then down at Dad. For the first time, she realized that the men in this family were no longer buffering her blows or mediating her outbursts. The fortress of tolerance she had spent three decades abusing had collapsed into dust.

With a snarling hiss, she shoved the metal box off the banister. It crashed onto the hardwood floor below, denting the floorboards and springing open, scattering papers and car titles across the hall.

""Take it!"" she screamed. ""Take all of it! You think you’ve won? The entire town knows what a disobedient, sneaky little brat you’ve always been, Josie! You think Aunt Lacy loves you? You think Fern cares about you? They pity you! Just like your grandmother pitied you because you were the plain one!""

I walked through the foyer, stepping carefully over the shattered glass of the dining room door. I looked up at the woman who had brought me into this world—the woman who had looked at an ultrasound photo of her granddaughter and chosen to tell the world she was in a grave.

""Nana didn't pity me, Mom,"" I said, my voice steady, ringing clear and cold through the quiet house. ""Nana loved me. Unconditionally. Without keeping a ledger of who was winning and who was losing. That’s something you will never understand. And that’s why my daughter will grow up knowing Nana June's name, but she will never, ever know yours.""

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Mom flinched as if I had struck her across the face. Her mouth opened, searching for another cruel barb, another poisonous barb to throw.

Before she could speak, blue and red emergency lights began flashing through the front windows, casting dancing shadows across the entryway walls.

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