Plot

Chapter 5 - The Ashb Estate

The irony hit me like a physical blow in the chest.

My father had stolen my grandmother’s piano to buy Delaney a luxury car, specifically to impress Hugh Ashb and secure his company's multimillion-dollar contract.

And all along, Hugh Ashb had used my father's desperate greed to buy the very same heirloom for pennies on the dollar through an illicit backchannel.

"Ashb knew what he was buying," Miles said as we stepped back onto the bustling Minneapolis sidewalk. "He’s an avid collector of historical instruments. He’s been trying to buy your grandmother’s Steinway since the 1990s."

"Grandma told me about him once," I murmured, recalling a summer afternoon years ago. "She said a wealthy corporate shark offered her grandfather a blank check for the piano after a recital, and she threw him off her porch."

"Hugh Ashb never forgets a loss," Miles noted grimly. "When Vance called him with the serial number, Ashb didn't care about family morality. He saw an opportunity to finally take what he couldn't buy legitimately."

We didn't call ahead. Miles ordered his driver to take us straight to the Ashb estate, a sprawling twenty-acre fortress surrounded by stone walls on the bluffs of the St. Croix River.

When we reached the wrought-iron security gates, Miles pressed the intercom button and announced our presence with icy authority: "Miles Wexler and Everett Whitaker to see Mr. Hugh Ashb regarding the possession of stolen trust assets."

The gate clicked open after a long, tense silence.

The long driveway wound through dense oak forests before opening onto a massive limestone manor that looked like an English castle.

Ryder's Town Car was parked near the circular fountain, alongside Hugh's silver Bentley.

A butler in a formal suit met us at the double oak doors and led us silently across polished marble floors into the grand ballroom.

There, standing beneath a massive crystal chandelier at the center of the hall, was Grandma's piano.

The dark Brazilian rosewood glowed under the warm recessed lighting. The ivory keys were exposed, polished to a mirror finish. Seeing it sitting in this cold, sterile museum of a room made my stomach twist into knots.

"It's a magnificent specimen, isn't it?"

Hugh Ashb walked into the room from the garden terrace, holding a glass of iced sparkling water. He wore casual polo clothes, looking completely unfazed by our unannounced arrival.

Behind him, Ryder followed, looking nervous and avoiding my eyes completely.

"It doesn't belong to you, Mr. Ashb," I said, stepping directly in front of the keyboard.

"I paid one hundred and forty thousand dollars for it, Everett," Ashb said calmly, taking a slow sip of his water. "I have a signed bill of sale from a recognized regional dealer. If your family has financial squabbles, take it up with your father."

"You bought stolen property, Hugh," Miles stated, stepping forward with his legal brief. "And given your extensive history with Loretta Whitaker's trust, any reasonable prosecutor would argue you had full constructive knowledge of the theft."

Hugh smiled, a cold, calculating expression that explained why he had dominated Midwestern commerce for forty years.

"A prosecutor can argue whatever he likes, Miles," Hugh replied smoothly. "Litigation takes years. By the time a judge forces me to release this instrument, your grandmother will be buried, and Everett here will be bankrupt from legal fees."

He looked at me with open pity. "You teach children for fifty dollars an hour, son. You cannot afford to fight me in court."

"He won't have to," a frail, clear voice echoed from the ballroom entryway.

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Everyone froze, turning toward the doorway in stunned shock.

Standing in the frame, supported by a wheelchair pushed by my Aunt Joan, was my grandmother Loretta.

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